former guitarist, bassist and other assorted instrument player for a supergroup lost in time - one that evolved into the Firefly Makani - refrains from his other projects hyper breakbeat lo-fi-ness and keeps aural output in lower and clearer gear for his solo work, where things got a bit mad after the engineer decided that static, string scraping and computer buffer underruns count as compositional material. the resulting soundtrack pays homage to the sounds and impressions that were engraved in the composers thinkbox during his youth. and as a final thought: f--- sampled loops, these sounds were made and put there with a deliberate reason.