The sources for the sounds used within this composition stem from the battery powered hand-held KORG Monotron synthesizer.

While this device is notorious for its hiss and the small, tinny sound emanating from the internal speaker, the recorded line-output is in a whole other ballpark, especially in conjunction with the extreme, wide filter it creates useful source material that awaits further manipulation.

Syncopated beats and low bass motifs have been created from recorded filter sweeps and low oscillations. The higher oscillator speeds with low filter resonances helped sculpt the tearing sounds reminiscent of insects communicating (or plastic pipes rubbing their joints uncomfortably).

The only non-Monotron sources are evident in the guitar parts and the non-synthesized percussive parts which hark back to (nowadays) cheap 80's / 90's drummachines.